2024
Ge, L. (2024). Ambivalent affective labour: the datafication of qing and danmei writers in the cultural industry. European Journal of Cultural Studies. Online First.
2024
Hu, T., Ge, L., & Wang, C. Y. (2024). A state against boys’ love? Reviewing the trajectory of censorship over danmei. Continuum, 38(2), 229–238.
2024
Ge, L. (2024). The Little Mushroom as the Queer/Wild: Disordering Desire and Desiring Disorder. In H. Bao, & Y. Ma (Eds.), Queer Literature in the Sinosphere Bloomsbury Academic, pp. 203–217.
2024
Ge, L. (2023). Approaching Fan Culture through Digital Ethnography and Reflexivity 粉丝文化，网络民族志与反身性再思. Literature and Anthropology 文学人类学研究, 8, 101-110.
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Hu, T., Ge, L. (co-first and corresponding author), Chen, Z., & Xia, X. (2023). Masculinity in crisis? Reticent / han-xu politics against danmei and male effeminacy. International Journal of Cultural Studies, 26(3), 274-292. https://doi.org/10.1177/13678779231159424
02
Ge, L. and Liu, S. (2023). Love and Redemption and the Organism of Hun-Po-Body: The Imagination of Fluid Body in the Dialogue between Post-humanism and the Philosophy of Hun-Po in Pre-Qin China《琉璃》与心魂-元神-肉身有机体：后人类理论与中国先秦灵肉观对话中流动的身体想象. Theory and Criticism of Literature and Art 文艺理论与批评, 220, 109-122.
01
Ge, L. (2022). Dual ambivalence: The Untamed Girls as a counterpublic. Media Culture & Society, 44(5), 1021-1033.
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Quoted in Vice News and South China Morning Post
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Most Reads in Media, Culture and Society from October to December 2022
02
Wang, E.N. and Ge, L. (corresponding author) (2023). Fan Conflicts and State Power in China: Internalised Heteronormativity, Censorship Sensibilities, and Fandom Police. Asian Studies Review, 47(2), pp.355-373.
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Achieved over 15,000 reads & download within a year
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Features in Asian Currents
2023
2022
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Problematizing heteronormativity: Performativity, resignification, and A/B/O fiction in Chinese danmei literature
Ge, L. (2021). Problematizing heteronormativity: Performativity, resignification, and A/B/O fiction in Chinese danmei literature. East Asian Journal of Popular Culture, 7(2), 241–254. https://doi.org/10.1386/eapc_00051_1
2021
惟在兴趣，羚羊挂角，无迹可求。